Lori Waxman, special reporter to the Chicago Tribune, talks with artists and organizers about the value of programs like Open Crit, which focuses on developing a critical dialogue for emerging and mid-career artists.
Lori writes:
“Forget the stereotype of the lone genius artist who toils away in complete isolation in his drafty garret for years only finally to be discovered, exhibited and celebrated. It didn’t work that way a hundred years ago, it doesn’t work that way today, and it’s never going to work that way.
Or does it? Scrap the drama from this romantic cliche and at least one truth emerges: Most artists work in relative solitude, practicing their craft in spare bedrooms, basements and studios with few opportunities to share their art with others.
Sure, some artists exhibit their work in galleries, and some even get a review, and once in a while that review turns out to contain a nugget of insight. But such are the exceptions. Most artists, said local painter Kate Friedman, “hunger for serious dialogue about art.” So she and dozens of others have started participating in a free experimental program taking place every few months at the Hyde Park Art Center called Open Crits…”
You can read the full article here