In conjunction with the Black Arts Movement, join the BAM School Modality for a Black History Month, virtual African dance class with renowned Chicago dancer and choreographer Darlene Blackburn Saturdays in February!
Feb 12, 2022 11:00 AM
Feb 19, 2022 11:00 AM
Feb 26, 2022 11:00 AM
Free, registration required below:
Darlene Blackburn is a producer, teacher, choreographer, lecture, and demonstrator of African and Caribbean dance with a strong foundation in modern, ballet, jazz, and tap. Blackburn received her B.A. in physical education and minor in dance (with honors) in 1984 from Northeastern Illinois University and her master’s in the same studies from Chicago State University in 1987. In 1963, she first started becoming aware of her blackness through Phil Cohran, her life mentor. Blackburn was inspired in dance by her first teachers Jimmy Payne (Afro-Cuban), Tommy Sutton (Jazz and Tap), and Lucille Ellis, and Tommy Gomez (Dunham Technique).
Dr. Margaret Burroughs, the founder of the DuSable Museum of African American History, motivated Darlene to research ethnic dance and educate people for a better understanding of African Culture. Blackburn researched dance outside the United States in 1967 with her first trip to Jamaica, studying with the Jamaica National Dance Company; Ghana and Nigeria, West Africa in 1971 where she later returned to perform with The Darlene Blackburn Dance Troupe, which she founded in 1963. She was Artist-in-Residence at Purdue University, West Lafayette, Indiana (1974-76), and in January 1977, Blackburn and 10 members of The Darlene Blackburn Troupe were invited to Lagos, Nigeria to participate in the Second World Black and African Festival of Arts and Culture as a part of the constituents representing the North America zone.
Blackburn has extensive experience in Chicago where she’s taught dance movement for actors for “Benito Cereno” at the Goodman Theatre and was assistant choreographer to Wole Soyinka, a Nigerian playwright, for his play, “Death and the King’s Horseman.” The University of Chicago’s Court Theater also did one of Wole Soyinka’s plays, “Lion and the Jewel,” and Blackburn was commissioned to choreograph the play “Harlem Renaissance” at Northwestern University in 1988.
A nationwide movement led by Black artists and intellectuals, BAM called for creative expression reflecting pride in Black history and culture to awaken Black consciousness and assert liberation. The course, dubbed the Black Arts Movement School Modality by its creator Romi Crawford, Professor of Visual and Critical Studies at the School of the Art Institute of Chicago, explored ideas and knowledge structures that emerged from the movement in Chicago. Participants considered concepts as collaboration, experimentation, and improvisation, and learned about the influence of Festac ’77, a major pan-African cultural festival that drew several Chicago-based artists to Lagos, Nigeria, in 1977. The artists shared firsthand accounts of their experiences, formal processes, and social commitments, and suggested assignments and prompts for participants’ artmaking.
BAM School Modality was supported through the Terra Foundation’s Art Design Chicago Convening Grants program.