Hyde Park Art Center announces Candace Hunter’s largest solo exhibition The Alien‐Nations and Sovereign States of Octavia E Butler

Hyde Park Art Center announces Candace Hunter’s largest solo exhibition The Alien‐Nations and Sovereign States of Octavia E Butler

CHICAGO (October 11, 2023)— Hyde Park Art Center, the renowned non‐profit hub for contemporary art located on Chicago’s vibrant South Side, announces programs for Chicago‐based artist Candace Hunter’s largest solo exhibition to date, including activations for Women’s History Month and Martin Luther King Jr. Day. With reading circles, writing workshops, and concerts, exhibition programming will explore the ideas of speculative fiction author Octavia E Butler (1947‐2006), whose works serve as inspiration to Hunter’s most immersive exhibition to date. In The Alien‐Nations and Sovereign States of Octavia E Butler, Hunter presents a series of assemblage‐based works, installations, video, and sound works that illustrate the meticulously constructed worlds Butler imagined in her novels, examining their significance for Black bodies and future societies. Candace Hunter: The Alien‐Nations and Sovereign States of Octavia E Butler will be on view from November 11, 2023 to March 3, 2024. The exhibition is co‐curated by the Art Center’s Public Programs Manager Ciera Alyse McKissick and Director of Exhibition & Residency Programs Allison Peters Quinn.      

In The Alien‐Nations and Sovereign States of Octavia E Butler, Hunter presents new works created with synthetic plants, remnants of a sustainable food experiment, a reading nook, and painted doors as imagined portals to other worlds to create what she describes as an “alien lush space.” The exhibition addresses the concepts of nationhood. Hunter poses questions about who is other, and in what situations do we see people as other to ourselves? How do we become universal?

A highlight of the exhibition is the installation Lilith’s Journey, inspired by Butler’s Xenogenesis Trilogy (Lilith’s Brood), which features a sequence of female silhouettes interspersed with full-length distorting mirrors. The figure represents the matriarch and Lilith’s ability to lead and grow a new civilization, while the mirrors explore the relationship between the gaze and creating feelings of otherness. Comparing the Parable of the Sower to the Trump era and using Xenogenesis Trilogy (Lilith’s Brood) to explore what “alien” worlds might exist beyond America and its race relations today, Hunter’s exhibition creates a speculative space where multiple generations come together to envision a better future.  

Candace Hunter says, “I’ve been working with Butler’s content for over a decade. I was drawn to Butler’s work because she was a Black girl in literature creating worlds that were fantastical. It was a world you could find for yourself or create. You could just think of something, and it is. That was my first understanding of conceptual art: I can just make it, and it is.”    

In response to the Black Lives Matter movement, when the phrase “I can’t breathe” became prevalent in the fight for justice for Black lives, Hunter believes that “the future is breath,” a sign of life and growth. The phrase will radiate in neon in the exhibition’s center installation A Collision of Worlds, which incorporates broken mementos, plant life, and burnt matter to allude to the chaos of Butler’s imagined worlds and their resemblance to our own. The neon words serve as a reminder to visitors of Afrofuturism’s dependence on the preservation and elevation of Black bodies and voices in the present.   

Rooted in her identification as a Black woman and spanning over two decades, Hunter’s work has explored the crises she predicts will impact twenty‐first century society at large, from capitalism and climate change to food justice, humanism, and the politics of water. In Butler’s novels, the Black female heroes navigate an earth devastated by climate catastrophe and war to lead survivors to a new world ‐ either on this planet or the next planet. 

 

ABOUT THE ARTIST   

Candace Hunter (chlee), a Chicago‐based artist, creates collage, paintings, installations, and performance art. Plainly, she tells stories. Using appropriated materials from magazines, vintage maps, cloth, and various reused materials, she offers this new landscape of materials back to the viewer with a glimpse of history and admiration of the beautiful. A highly respected artist in the Midwest, chlee’s recent honors include the Elevate Climate Changemakers Award (2022), 3Arts Next Level Award (2021), the Tim and Helen Meier Family Foundation Award (2020), the 3Arts Award (2016) and honored by the Diasporal Rhythms Collective. She was also a featured speaker at the 24th Gwendolyn Brooks Black Writers’ Conference: We Are Each Other’s Harvest (2022), and the Midwest Women in Ecology Conference (2019). Hunter’s most recent notoriety has come from her Brown Limbed Girls series, which are painted and collaged 20 x 20‐inch works, more than 130 and counting, that were born during the COVID‐19 pandemic and their sole purpose was to depict brown girls in various states of joy. To date, those images have been featured on Chicago billboards, three book covers, in two major shows in New Orleans and Oakland, and in many private collections, including that of Actress CCH Pounder. 

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