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DTSTART;TZID=UTC:20241115T053000
DTEND;TZID=UTC:20241115T233000
DTSTAMP:20241129T064212
CREATED:20240603T190828Z
LAST-MODIFIED:20240603T190828Z
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SUMMARY:Hyde Park Art Center Gala & After Party 2024
DESCRIPTION:Hyde Park Art Center hosts its annual Gala that activates its entire building on Friday\, November 15\, from 5:30 p.m. to 8 p.m.\, with an after party that goes 11:30pm. Co-chaired by Jim Dempsey\, Sandhya Mullangi\, Cheryl and Thomas Rudbeck III\, the lively event is packed with hands-on art activities\, performances\, open studios\, art auctions\, and DJs from Lumpen Radio\, offering a unique and interactive experience while benefiting the art center’s various programs supporting Chicago art and artists. The Gala after party is hosted in partnership with Lumpen Radio. \nGala Tickets are available for $750 with sponsorship levels beginning at $2\,500. Guests may RSVP and make donations at www.hydeparkart.org/gala.
URL:https://www.hydeparkart.org/event/hyde-park-art-center-gala-after-party-2024/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241107T180000
DTEND;TZID=UTC:20241107T200000
DTSTAMP:20241129T064212
CREATED:20240723T184937Z
LAST-MODIFIED:20241024T162251Z
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SUMMARY:Radicle Conversation
DESCRIPTION:Join us for a conversation between artist and Floating Museum Co-Director Faheem Majeed and visiting curator Tamar Janashia about their practices of making\, stewarding\, and challenging art organizations. This conversation marks the occasion of the publication of Planting and Maintaining a Perennial Garden: Shrouds\, a catalog that documents and augments Majeed’s 2021 solo exhibition at Hyde Park Art Center as well as to celebrate Janashia’s month-long residency (October 11 – November 16) in Chicago.\n\n\n \nTamar Janashia’s residency is supported by our ongoing partnership with CEC ArtsLink’s acclaimed international fellowship program.\n\n\n\n\n\nPLEASE REGISTER HERE\n\n\n\n\n\n\nTamar Janashia is the founder and director of Culture and Management Lab (CML)\, a not-for-profit organization in Tbilisi active in the realm of arts\, cultural exchange\, issues of cultural policy and strategic development of creative industries. She currently serves as a coordinator of the Tbilisi Architecture Biennial and is a consultant of the professional development program for cultural managers in Kyrgyzstan. In 2018-2019\, Tamar coordinated the capacity building program for the cultural managers from Central Asian countries. In 2012-2017\, she served as a General Administrator of the Regional Art and Culture Program for the South Caucasus.\n\n  \n\nFaheem Majeed is an artist\, educator\, curator\, and community facilitator. He blends his unique experience as an artist\, non-profit administrator\, and curator to create works that focus on institutional critique and exhibitions that leverage collaboration to engage his immediate\, and the broader community\, in meaningful dialogue. Majeed received his BFA from Howard University and his MFA from the University of Illinois at Chicago (UIC).\n\n​From 2005-2011 Majeed served as executive director and curator for the South Side Community Art Center and is currently Co-Director and Founder of the Floating Museum. \n​Majeed is a recipient of the The Field and MacArthur Foundation’s Leaders for a New Chicago Award (2020)\, Joyce Foundation Award (2020)\, the Joan Mitchell Painters and Sculptors Grant (2015)\, and the Harpo Foundation Awardee (2016). Majeed’s solo exhibitions include MCA Chicago\, SMFA at Tufts\, and the Hyde Park Art Center. 
URL:https://www.hydeparkart.org/event/radicle-conversation/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Residency,Free Events
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241024T130000
DTEND;TZID=UTC:20241024T150000
DTSTAMP:20241129T064212
CREATED:20241021T193455Z
LAST-MODIFIED:20241021T193455Z
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SUMMARY:Words of Wisdom: Connect with the Mind and Art of Robert Earl Paige
DESCRIPTION:One-Day Talk and Workshop – Registration is required. Register Here. \nJoin artist Robert Earl Paige for an afternoon of conversation and art-making in his solo exhibition\, The United Colors of Robert Earl Page. Robert will talk about his art\, the wise words he lives by\, and the stories behind them. Later he’ll invite you to share your own words of wisdom by making decorative ‘wisdom art cards’ filled with vibrant patterns much like those in Robert’s work\, followed by a lively discussion! Art supplies will be provided and refreshments will be served. \nTeaching Artist: Rhonda Wheatley (she/her) Bio forthcoming. \nAbout the Exhibition \nThis workshop series is in conjunction with our exhibition\, The United Colors of Robert Earl Paige\, the largest exhibition of Robert Paige’s work to date\, which surveys the iconic textile designs and painted fabric of one of the most generative artists/designers from the South Side of Chicago. The exhibition\, corresponding public programs\, and upcoming catalog is part of Art Design Chicago\, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities. \nRobert Paige approaches art and craft as a joyful choreography between practical invention and material research. The fluid lines\, intense colors\, repeating circles\, and simple balance found in modernist paintings by Wassily Kandinsky\, Sonia Delaunay\, and Lazlo Maholy Nagy for example\, are equally as influential to Paige’s style as the tight basket weaving techniques and symbology of West African cultures\, the textured ripples on tree bark\, and the unfettered improvisations of the Chicago jazz powerhouse the Association for the Advancement of Creative Musicians (AACM).  Raised in the Woodlawn neighborhood\, where he still resides\, Paige makes artworks in response to the patterns\, colors\, and materials of everyday Black life. Paige playfully challenges the juxtaposition of art and craft in his hand-dyed textiles\, cardboard collages\, and ceramic tiles to encourage mental and physical liberation for all.
URL:https://www.hydeparkart.org/event/words-of-wisdom-connect-with-the-mind-and-art-of-robert-earl-paige/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241019T100000
DTEND;TZID=UTC:20241020T160000
DTSTAMP:20241129T064212
CREATED:20240722T190241Z
LAST-MODIFIED:20240917T174406Z
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SUMMARY:Open House Chicago
DESCRIPTION:We’re participating in Open House Chicago with the Chicago Architecture Center!\nWe’re one of more than 170 sites in 20+ neighborhoods welcoming visitors for this FREE annual\narchitecture festival. \nJoin us during Open House Chicago and visit our exhibitions: The United Colors of Robert Earl Paige\, Parapluie and Cecilia Beaven: Flickering Cocoon \nSee this year’s site list at OpenHouseChicago.org. \nSaturday\, October 19. 10am–4pm \nSunday\, October 20. 11am–4pm
URL:https://www.hydeparkart.org/event/open-house-chicago/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,Free Events
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BEGIN:VEVENT
DTSTART;TZID=UTC:20241005T140000
DTEND;TZID=UTC:20241005T160000
DTSTAMP:20241129T064212
CREATED:20241001T171200Z
LAST-MODIFIED:20241001T171200Z
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SUMMARY:SENSING THE UNSPEAKABLE: SOUNDSCAPES OF COMMUNICATION
DESCRIPTION:Working Title and the Hyde Park Art Center co-present SENSING THE UNSPEAKABLE: SOUNDSCAPES OF COMMUNICATION\, first installment of Artist and Art Historian (AAH) Conversations series for the 2024-2025 Academic Year\, sharing the space with The Bridge Program Showcase Spring 2024 at Muller Meeting Room. Spotlight artist Xingyu Huang and curator Yoonshin Park will engage in a conversation on personal experience\, space\, sound\, challenges of communication\, and deep time.\n.\nXingyu Huang is an artist working and living in Chicago. Based on spatial research and sensory analysis\, she uses sculpture\, environmental installation\, sound\, video\, and photography to imagine and interrogate the contingencies of interpersonal communication and isolation. Xingyu holds a BFA from University of Edinburgh in Interior Architecture and is an MFA candidate in Sculpture at the School of the Art Institute of Chicago.\n.\nYoonshin Park is an interdisciplinary artist\, curator\, and educator who works with sculptural papers\, artist books\, and installations. Park often draws on her experience as a foreign transplant to explore the concept of space and its role in shaping one’s identity\, which serves as the inspiration behind her work. Park is a 2023-24 HATCH resident at Chicago Artists Coalition and an alumna of the Center Program at Hyde Park Art Center. Her work has been exhibited nationally and internationally\, and she is represented by the Zolla/Lieberman Gallery in Chicago.\n.\nImage: Air Flows Between Us\, woad powder\, wood\, sound\, Teensy microcontroller\, Arduino board\, electronic circuits\, speaker\, acrylic sheets\, metal brackets\, wires\, soldered components\, vinyl film\, 8’x8’x14″\, 7’56”\, 2024\nPoster Design: Sam Wu
URL:https://www.hydeparkart.org/event/sensing-the-unspeakable-soundscapes-of-communication/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240928T140000
DTEND;TZID=UTC:20240928T150000
DTSTAMP:20241129T064212
CREATED:20240703T200249Z
LAST-MODIFIED:20240926T203707Z
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SUMMARY:Hyde Park Jazz Festival: jackpot [everything blk & baldwin] an audi-soul-full poem celebration of James Baldwin’s centennial
DESCRIPTION:The Hyde Park Jazz Festival will celebrate the 100th Anniversary of James Baldwin’s birthday at the Art Center\, with a performance by Chicago Poet Laureate avery r. young & de deacon board featuring D-Composed. \nThe performance will be set in artist Robert Earl Paige’s current exhibition\, The United Colors of Robert Earl Paige. \nDuring this unique performance\, young and Paige will engage in a conversation about the ways in which each artist has engaged with Baldwin’s work. \nInspired by James Baldwin’s philosophy suggesting growing up Black\, Gay and impoverished in America was like hitting the jackpot\, interdisciplinary artist avery r. young responds to the Hyde Park Art Center’s retrospective exhibition of the work of artist Robert Earl Paige. Part interview / part concert\, young enlists accompaniment from his band\, de deacon board and the string ensemble D Composed to present poetry and song in a discussion with Paige about art and  combines beauty and race. \nIn preparation for this performance Gallery 1 will be closed on Saturday\, September 28 from 10AM – 1:30PM. \n \nAvery Young looks directly into the camera. Avery is wearing a camel colored jacket and a dark gray sweater with a black/gray scarf over one shoulder. He is wearing black rectangular glasses \nPhoto by: Sulyiman Stokes \nAVERY YOUNG\nChicago Poet Laureate avery r. young is an interdisciplinary artist and teaching artist who has been an Arts and Public Life Artist-in-Residence at the University of Chicago\, a 3Arts Awardee\, and a Cave Canem fellow. In the foreword of his most recent book neckbone: visual verses (Northwestern University Press)\, Theaster Gates called him “one of our greatest living street poets” and “one of the most important thinkers on the Black experience.” Black Grooves referred to young’s most recent album tubman (FPE Records) as “brilliant” and “supremely funky.” young’s poems and essays have been published in Cecil McDonald’s In The Company of Black\, The BreakBeat Poets\, The Golden Shovel Anthology: New Poems Honoring Gwendolyn Brooks\, AIMPrint\, and other anthologies. His album booker t. soltreyne: a race rekkid engages matters of race\, gender\, and sexuality in America during the Obama Era. young’s work in performance\, visual text\, and sound design has been featured in several exhibitions and theater festivals–notably The Hip Hop Theatre Festival\, The Museum of Contemporary Art\, and the American Jazz Museum. He is the featured vocalist on flutist Nicole Mitchell’s Mandorla Awakening (FPE Records)\, one of the directors of The Floating Museum\, and a co-mentor for Rebirth Youth Poetry Ensemble. He performs with his band\, de deacon board. \n  \nD-COMPOSED \nD-Composed is a Chicago-based Black chamber music collective that celebrates Black culture and creativity through the music of Black composers. \nWe aim to make classical music experiences inclusive and reflective of the Black experience by intentionally creating experiences that meet our community where they are. \nD–COMPOSED /DEE-KUHM-POHZD/ – ADVERB – Our creative process involves breaking down preconceived notions\, barriers\, and opinions of what people think classical music should be to re-writing our narrative to reflect what the classical world could be. \n  \nThe musicians: \nD-COMPOSED Ensemble Members \nCaitlin Edwards – Violin \nKhelsey Zarraga – Violin \nWilfred Farquharson – Viola \nTahirah Whittington – Cello \nDe Deacon Board Musicians \nAlfonzo Jones – Drums \nCream Jones – Guitar \nJeff Harris – Drums \navery r young – voice \nSpecial Guest – Robert Earl Paige – respondent
URL:https://www.hydeparkart.org/event/hyde-park-jazz-festival-avery-r-young-de-deacon-board/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,Free Events
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240926T180000
DTEND;TZID=UTC:20240926T200000
DTSTAMP:20241129T064212
CREATED:20240802T221211Z
LAST-MODIFIED:20240806T221306Z
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SUMMARY:The Material Dictates Itself
DESCRIPTION:Where a knot begins and ends exhibition artists\, Teresita Carson Valdez\, Molly Roth Scranton\, Malika Jackson\, and Kara Cobb Johnson\, explore the ways that material exploration inspires and drives their practice across various media\, and the ways in which they intersect and diverge and inform each other through tactility. With an emphasis on techniques derived from ceramics\, weaving\, and the feminine mystique\, the artists will also speak to the complexity of craft practices that have evolved within the contemporary context. With the hand ever present in the work\, the artists question how objecthood and abstraction informs the interpretation and transformation of the work from its raw to final state. The conversation will be moderated by Christine Tarkowski\, Professor in the Fiber and Material Studies Department at the School of the Art Institute of Chicago. \nThis discussion is in conjunction with our New Edition Professional Pathways program\, which is offered exclusively for alums of Center Program\, one of the Art Center’s capstone development programs for working artists. New Edition challenges a group of ten artists to build on their practice by adding new mediums to their toolbox by enrolling in a course at the Art Center to create new works\, and through participation in weekly seminars. \nRegister to attend here. \nAbout the Artists:  \nTeresita Carson \nTeresita Carson is a Mexican\, Chicago-based artist and award-winning filmmaker working across disciplines\, including moving image\, new media\, and installation. Taking an irreverent approach to world and counter-archive building\, she explores the abstract intersections between the historical\, the speculative\, indigenous cosmogonies\, and magical peripheries. Her experimental films have screened internationally\, including at the Slamdance Film Festival and the Museum of Contemporary Art of San Diego. Most recently\, her work was included in the Cleve Carney Museum’s Emerging Artist exhibition and was chosen for the 2024 Ground Floor Biennial. Carson has received grants from DCASE’s Individual Artists Program (IAP) and the Artists Run Chicago Fund. She is currently collaborating on a film project with the Walter H. Dyett High School for the Arts community as part of her residency with CPS Lives. \nMolly Roth Scranton \nMolly Roth Scranton lives and works in Chicago\, Illinois. Her studio practice uses household objects\, language\, and quotidian aesthetics to create “thing-poems”: sculptures\, ceramics\, weavings\, paintings\, installations\, and time-based works in video and sound that mimic the objects of everyday life. Her interests lie in collaboration\, beauty\, longing\, escapism\, labor\, and anxiety. Her work has been included in numerous solo and group exhibitions in the United States and abroad\, including the Weisman Art Museum in Minneapolis\, MN\, the Finnish Academy of Fine Art in Helsinki\, Finland\, Babelkunst in Trondheim\, Norway\, Harvestworks in New York\, and the Hyde Park Art Center\, Elastic Arts\, Free Range\, Roman Susan\, and 6018 North in Chicago. \nMalika Jackson \nChicago-based artist and educator\, Malika Jackson presents emotional narrative works in painting\, drawing and sculpture inspired by her lived experience as well as texts by writers like Langston Hughes and Sonia Sanchez. Jackson is an alumna of the Art Center’s Center Program (class of 2013) and has been making her artwork between the Oakman Clinton Studios at the Art Center and her apartment studio in South Shore for over 20 years. \nHer works have been exhibited in galleries\, festivals\, in group and solo shows. Jackson had a solo exhibition Whispers of a World Without Words at the Hyde Park Art Center in 2022\, and an exhibition with Sapphire and Crystals at Bridgeport Art Gallery\, and the Addington Gallery. She has also received commissions for the Ronald McDonald Houses’ – the Ryder Cup Tournament; as well as exhibiting at the Howard Brown Center\, Black Clay at Chicago State\, Fast Forward\, Rewind: Play\, HPAC\,‘From the Earth-Woman Made Gallery\, Gallery D’Estees\, Noyes Gallery\,\nMuseum of Science and Industry\, Artopolis at the Merchandise Mart\, Cliff Dwellers\, and numerous other venues.Awards include honorable mention\, Museum\, of Science & Industry\, Black Creativity; honored by the Diasporal Rhythms Art Association; art grant from the city of Chicago\, design awards-Ann Brooks and Fur International Awards. Commissions for public artwork through the City of Chicago. Curator for Women’s Made Gallery and curator and coordinated ‘Cultural Connections African Art Bazaar for 25 years. Featured in ‘Curators of Dixon’; ‘Producing Local Color’ – Art Network in Ethnic Chicago’\, by Diane Grams; ‘South Shore Current’. Jackson has taught in the Chicago Public Schools\, Charter School\, Community Organizations and at the Hyde Park Art Center. She received an MFA & BFA from the School of the Art Institute\, and studied at Illinois State University\, Normal\, Illinois\, and participated in an artist tour of France and Italy\, where she completed a ceramic workshop in Tuscany. \nKara Cobb Johnson \nKara Cobb Johnson (born 1976) is a visual artist based in Pilsen\, Chicago. Cobb Johnson trained as a sculptor\, video\, and public artist in Minneapolis\, MN\, and graduated from Northeastern Illinois University in 2000. Her work investigates form\, materials\, and space while offering immersive installations that present an empowered female hand. She has curated independently as part of her practice and received a Visual Arts Certificate from the University of Chicago\, Graham School of Continuing Studies in 2016. Cobb Johnson has been awarded the Individual Artist Project Grants from both The Illinois Arts Council and Chicago Department of Cultural Affairs and Special Events to create new works in 2019 and 2023. She held panelist and executive board positions for Chicago Sculpture International and Chicago Department of Cultural Affairs and Special Events in 2023 and 2024. \nAbout the Moderator: Christine Tarkowski \nChristine Tarkowski is an artist working in a variety of formats including the making of permanent public sculptures\, propositional drawings\, cast glass models\, and textile yardage. Her current works are in pursuit of the abstract\, drawing on history\, craft tectonics\, and archetypes. She employs methods of dimensional abstraction to evolve narrative elements that refer to dissolution of order through processes of alchemy or heat. \nShe has been commissioned to create public works by; University of Illinois Chicago\, DCASE\, Millennium Park\, City of Chicago\, Socrates Sculpture Park; Manilow Sculpture Park at Governors State University\, and private clients. She has exhibited works at; Corning Museum of Glass\, Contemporary Art Museum St. Louis\, Cooper-Hewitt National Museum of Design\, RISD Museum\, The Renaissance Society\, Carrie Secrist Gallery\, Devening Projects\, Priska Juschka Fine Art\, Museum of Contemporary Art Chicago\, Chicago Cultural Center. Her awards include; Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media Columbia College Chicago/3 Arts Fellow\, Richard H. Driehaus Foundation Individual Artist Award\, Illinois Arts Council Fellowship\, Franconia Sculpture Park Grant Jerome Foundation\, and Creative Capital Foundation. \nTarkowski is a Professor at the School of the Art Institute of Chicago where she’s the Chair of Fiber and Material Studies.
URL:https://www.hydeparkart.org/event/the-material-dictates-itself/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Exhibition Events,Free Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240925T180000
DTEND;TZID=UTC:20240925T200000
DTSTAMP:20241129T064212
CREATED:20240917T173436Z
LAST-MODIFIED:20240923T152841Z
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SUMMARY:Bridge_Work. Opening Reception
DESCRIPTION:Bridge_Work features works from The Bridge Program\, a seminar-style course led by Yoonshin Park\, which fosters dialogue among a select group of artists to push art practices to new levels. \nArtists:\n\nCharlotte Mays\nGunjan Chawla Kumar\nJalen Hamilton\nJayne King\nKathryn Rodrigues\nKeith S. Wilson\nKelly McKaig\nOlivia JS Lee\nSaleem Hue Penny\nXingyu Huang\n\n\n\n\n\n\n\nProgram Curator:\nYoonshin Park\n\nMueller Meeting Room and D’Angelo Library.\nSEPTEMBER 23 – OCTOBER 27
URL:https://www.hydeparkart.org/event/bridge_work/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Exhibition Events,Special Events,Free Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240911T110000
DTEND;TZID=UTC:20240911T140000
DTSTAMP:20241129T064212
CREATED:20240606T194350Z
LAST-MODIFIED:20241008T153802Z
UID:10001984-1726052400-1726063200@www.hydeparkart.org
SUMMARY:EveryDay Art Everyday Materials: The History of Everyday Art Now and then
DESCRIPTION:Notes from The Woodshed Workshop: EveryDay Art Everyday Materials: The History of Everyday Art Now and Then \nDive into the colorful world of shaving cream marbling\, where you’ll swirl vibrant hues to create stunning\, one-of-a-kind designs on paper\, perfect for cards\, art prints\, and beyond. \nThis free all ages art making workshop is led by our Community Engagement Fellow\, Yeeseon Chae. Exhibiting artist Robert Paige will frequently be present to have conversations with participants and answer questions about his work\, art practice\, and life as a designer/educator/fabric man. \nRegister for the workshop here \nThis workshop series is in conjunction with our exhibition\, The United Colors of Robert Earl Paige\, the largest exhibition of Robert Paige’s work to date\, which surveys the iconic textile designs and painted fabric of one of the most generative artists/designers from the South Side of Chicago. The exhibition\, corresponding public programs and upcoming catalog is part of Art Design Chicago\, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities.  \nRobert Paige approaches art and craft as a joyful choreography between practical invention and material research. The fluid lines\, intense colors\, repeating circles and simple balance found in modernist paintings by Wassily Kandinsky\, Sonia Delaunay\, and Lazlo Maholy Nagy for example\, are equally as influential to Paige’s style as the tight basket weaving techniques and symbology of West African cultures\, the textured ripples on tree bark\, and the unfettered improvisations of the Chicago jazz powerhouse the Association for the Advancement of Creative Musicians (AACM).  Raised in the Woodlawn neighborhood\, where he still resides\, Paige makes artworks in response to the patterns\, colors\, and materials of everyday Black life. Paige playfully challenges the juxtaposition of art and craft in his hand-dyed textiles\, cardboard collages\, and ceramic tiles to encourage mental and physical liberation for all.
URL:https://www.hydeparkart.org/event/everyday-art-everyday-materials-the-history-of-everyday-art-now-and-then/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Art Making Events
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20240902
DTEND;VALUE=DATE:20240909
DTSTAMP:20241129T064212
CREATED:20240827T192851Z
LAST-MODIFIED:20240827T192851Z
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SUMMARY:The Art Center will be closed  SEPTEMBER 2 - 8
DESCRIPTION:The Art Center will be CLOSED from September 2 to September 8 for Labor Day and Summer Break. \nWe will be open on regular hours starting on September 9. \n  \nMonday – Thursday\, 10am to 7pm \nFriday 10am – 4:30 \nSaturday\, 10am to 4pm \nSunday\, 11am – 4pm \n  \nWe look forward to seeing you soon!
URL:https://www.hydeparkart.org/event/the-art-center-will-be-closed-september-2-8/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Closures
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240821T110000
DTEND;TZID=UTC:20240821T140000
DTSTAMP:20241129T064212
CREATED:20240606T194142Z
LAST-MODIFIED:20240606T201509Z
UID:10001983-1724238000-1724248800@www.hydeparkart.org
SUMMARY:Adornment: The Influence of Style on Art
DESCRIPTION:Notes from The Woodshed Workshop: Adornment: The Influence of Style on Art \nShow us your style! From bold patterns to intricate designs\, this hands-on session offers endless possibilities for creating personalized wearable art. \nThis free all ages art making workshop is led by our Community Engagement Fellow\, Keny De La Peña.  Exhibiting artist Robert Paige will frequently be present to have conversations with participants and answer questions about his work\, art practice\, and life as a designer/educator/fabric man.  \nRegister for workshop here \nThis workshop series is in conjunction with our exhibition\, The United Colors of Robert Earl Paige\, the largest exhibition of Robert Paige’s work to date\, which surveys the iconic textile designs and painted fabric of one of the most generative artists/designers from the South Side of Chicago. The exhibition\, corresponding public programs and upcoming catalog is part of Art Design Chicago\, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities.  \nRobert Paige approaches art and craft as a joyful choreography between practical invention and material research. The fluid lines\, intense colors\, repeating circles and simple balance found in modernist paintings by Wassily Kandinsky\, Sonia Delaunay\, and Lazlo Maholy Nagy for example\, are equally as influential to Paige’s style as the tight basket weaving techniques and symbology of West African cultures\, the textured ripples on tree bark\, and the unfettered improvisations of the Chicago jazz powerhouse the Association for the Advancement of Creative Musicians (AACM).  Raised in the Woodlawn neighborhood\, where he still resides\, Paige makes artworks in response to the patterns\, colors\, and materials of everyday Black life. Paige playfully challenges the juxtaposition of art and craft in his hand-dyed textiles\, cardboard collages\, and ceramic tiles to encourage mental and physical liberation for all.
URL:https://www.hydeparkart.org/event/adornment-the-influence-of-style-on-art/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Art Making Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240817T130000
DTEND;TZID=UTC:20240817T150000
DTSTAMP:20241129T064212
CREATED:20240423T220825Z
LAST-MODIFIED:20240723T193043Z
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SUMMARY:The Existence of Black Art
DESCRIPTION:Join us for  The Existence of Black Art\, a discussion in conjunction with our exhibition\, The United Colors of Robert Earl Paige. \nArtists\, archivists\, and curators\, will discuss the state of Black art\, artist communities\, and movements across history. Historically\, the contributions of Black artists have been overlooked\, appropriated\, and undermined\, which has led to movements like AfriCOBRA and the Black Arts Movement\, in which exhibiting artist Robert Earl Paige\, was a critical figure. This discussion will speak about the existence (and non-existence) of Black artists in art movements\, and how artists today are contextualizing history and paving their own way for visibility in the contemporary art world. Panelists include artists\, Parapluie exhibition artist and sculptor and muralist\, Bernard Williams\, curator\, Antawan I. Byrd\, and archivist\, Skyla S. Hearn. The conversation will be moderated by art historian and Black Arts Movement School Modality Founder\, Romi Crawford. \nAbout The Moderator: Romi Crawford \nRomi Crawford\, Ph.D.\, is a professor in the Visual and Critical Studies and Liberal Arts departments at the School of the Art Institute in Chicago. Her research and courses explore areas of race and ethnicity as they relate to American visual culture (including art\, film\, and photography). She is co-author of The Wall of Respect: Public Art and Black Liberation in 1960s Chicago (Northwestern University Press\, 2017). Additional publications include “Do For Self: The AACM and the Chicago Style” in Support Networks (University of Chicago Press\, 2014); “Ebony and Jet on Our Mind” in Speaking of People (The Studio Museum in Harlem\, 2014); and Theaster Gates Black Archive (with Thomas D. Trummer and Hamza Walker)\, published by Kunsthaus Bregenz\, 2017. She was co-curator of the 2017 Open Engagement conference in Chicago and founding the Museum of Vernacular Arts and Knowledge (MOVAK)\, a project based platform for art making that is out of sync with museum and gallery values. She was previously Curator and Director of the Education Department at the Studio Museum in Harlem. She received a B.A. from Oberlin College and A.M. and Ph.D. degrees in English Language and Literature from the University of Chicago. \nAbout The Panelists: \nAntawan I. Byrd \nAntawan I. Byrd\, PhD\, is an Assistant Professor of Art History at Northwestern University and an Associate Curator of Photography and Media at the Art Institute of Chicago. At the Art Institute\, he recently curated Closer to the Earth\, Closer to My Own Body (2021)\, a solo exhibition of work by the Kenyan artist Mimi Cherono Ng’ok\, and co-edited the catalogue The People Shall Govern! Medu Art Ensemble and the Anti-Apartheid Poster\, based on an exhibition that he co-curated in 2019. He co-curated the 2nd Lagos Biennial of Contemporary Art (2019)\, Kader Attia: Reflecting Memory at Northwestern’s Block Museum of Art (2017)\, and was an associate curator for the 10th Bamako Encounters\, Biennale of African Photography (2015). From 2009 to 2011\, he was a Fulbright fellow and curatorial assistant at the Centre for Contemporary Art\, Lagos. In 2017\, he received the Award for Curatorial Excellence by the Arts Council of the African Studies Association. Byrd is currently co-curating a survey exhibition on Pan-African art and culture\, opening at the Art Institute in December 2024 before traveling to the Museum of Contemporary Art\, Barcelona and the Pompidou\, KANAL in Brussels. \nBernard Williams \nBernard Williams is an established artist based in Chicago\, IL and working in painting\, sculpture\, installation\, and public art. He holds a BFA from the University of Illinois at Urbana-Champaign and an MFA from Northwestern University. His work has been exhibited in galleries and museums across the U.S.\, and has been represented by the N’Namdi Gallery in Detroit\, the Thomas McCormick Gallery in Chicago\, and the Ethan Cohen Gallery in New York. Williams has received recognition both regionally and nationally\, including grants from the Illinois Arts Council\, Artadia in New York in 2001\, The Meier Foundation in Chicago in 2013\, and The Adolph and Esther Gottlieb Foundation in New York in 2015. He has completed artist residencies at the Skowhegan School of Painting & Sculpture\, The Fine Arts WorkCenter in Provincetown\, MA.\, and the International Studio and Curatorial Program in New York in 2013. \nThe artist began painting outdoor murals in the early 1990’s with the Chicago Public Art Group. While continuing with CPAG\, Williams has added outdoor sculpture to his practice. In recents years he has created several outdoor steel sculptures in Chicago\, and completed the Black Tractor Project at the Arts Club of Chicago 2019. In November 2020-May 2021 he debuted a large sculptural work in the “Long Dream” group exhibition at the Museum of Contemporary Art in Chicago. In 2022 the artist installed a large outdoor steel sculpture commission celebrating the African-American suffragette\, Naomi Anderson\, in Michigan City\, Indiana. In 2023\, the artist will install steel sculptures at the Nate (Nathan Manilow Sculpture Park) at Governors State University in University Park\, IL.\, and also in Dallas\, Texas. \nSkyla S. Hearn \nSkyla Hearn is a proud Chicagoan (South Side) by way of Mississippi\, a dream actualized by way of the Great Migration. As an archivist\, liberated memory and cultural worker Skyla is most concerned with supporting a community’s attempt to understand\, document and share its own history\, particularly those aspects that have not been well recorded. \nSkyla’s passion and dedication towards the creation\, management\, preservation and accessibility of archives\, with particular focus on the preservation of Black cultural heritage\, ephemeral materials\, knowledge development\, and social justice has provided her with unique opportunities to work with diverse individuals\, communities and repositories at various capacities nationally and internationally. \nSkyla is the founder of ActivelyArchiving\, co-founder of The Blackivists\, a collective of trained Black archivists who prioritize Black cultural heritage preservation and memory work by providing professional expertise on cultural heritage archiving and preservation practices to document historically under documented communities. \nRecent past institutional work includes: inaugural Manager of Archives for Cook County Government under the Offices of the Cook County Board President and Board of Commissioners\, Director of Archives and Special Collections at the DuSable Museum of African American History and Adjunct Assistant Professor for the Museum and Exhibition Studies (MUSE) Art History Graduate Program at the University of Illinois at Chicago. \nSkyla is currently a Special Collections Archivist for the Johnson Publishing Company Archive at the Getty Research Institute. As a legacy keeper\, she recently (March 2021) co-edited the zine publication Our Girl Tuesday: An Unfurling for Dr. Margaret T.G. Burroughs alongside Tempestt Hazel and Sarah Ross with an introduction by Mariame Kaba\, published by Sojourners for Justice Press. \nImage by Beto Defreitas \nRSVP HERE
URL:https://www.hydeparkart.org/event/the-existence-of-black-art/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Exhibition Events,Free Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240817T110000
DTEND;TZID=UTC:20240817T130000
DTSTAMP:20241129T064212
CREATED:20240725T200945Z
LAST-MODIFIED:20240725T200945Z
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SUMMARY:Taller de Narración: "Mi Propio Beta: Así lo Viví"
DESCRIPTION:Taller de Narración: “Mi Propio Beta: Así lo Viví”\nPara migrantes venezolanos que han sido desplazados debido a la violencia social y cultural. \n¡Tu historia es única y merece ser contada! \nÚnete a nosotros en un taller de escritura transformador\, diseñado para ayudarte a organizar tus recuerdos\, anécdotas y experiencias de tu viaje migratorio. A través de ejercicios guiados\, aprenderás técnicas narrativas que te permitirán expresar tus emociones y experiencias de una manera liberadora y constructiva. Este taller se llevará a cabo en español y está dirigido a familias de todas las edades. \nDetalles del Taller: \n\nUbicación: Hyde Park Art Center\nFechas: 10 y 17 de agosto\nHorario: 11:00 am – 1:00 pm\nFacilitadora: Artista venezolana Erika Ordosgoitti\nOportunidades: Conéctate con otros\, comparte tu viaje y cuenta las increíbles historias que solo tú puedes relatar\n\nTu historia es importante y necesita ser escrita. ¡Únete a nosotros y haz que tu voz sea escuchada! \nPerfil de la Artista: Erika Ordosgoitti es una artista venezolana reconocida por su trabajo en las artes visuales y la performance. Su obra explora temas de identidad\, migración\, y violencia social y cultural\, utilizando el arte como medio para la expresión y el empoderamiento. Erika ha participado en numerosas exposiciones y talleres a nivel internacional\, aportando su experiencia y perspectiva única a cada proyecto.
URL:https://www.hydeparkart.org/event/taller-de-narracion-mi-propio-beta-asi-lo-vivi/2024-08-17/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,Free Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240811T120000
DTEND;TZID=UTC:20240811T150000
DTSTAMP:20241129T064212
CREATED:20240703T195156Z
LAST-MODIFIED:20240703T195746Z
UID:10001987-1723377600-1723388400@www.hydeparkart.org
SUMMARY:Afrolatin Bomba Dance + Learn
DESCRIPTION:An evolutionforward LIVE! EVENT in partnership with Hyde Park Art Center \nJoin us for a culturally enriching afternoon and bring the whole family! \nYou’ll hear about the roots of afrolatin dance\, immerse yourself in captivating stories and (hi)stories\, and gain valuable insights about child-parent well-being from local and visiting education experts. Let’s dance and learn together! \nRSVP here
URL:https://www.hydeparkart.org/event/afrolatin-bomba-dance-learn/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,Free Events
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GEO:41.80456;-87.5870129
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hyde Park Art Center 5020 South Cornell Avenue Chicago IL 60615 Chicago IL 60615 US;X-APPLE-RADIUS=500;X-TITLE=5020 South Cornell Avenue\, Chicago\, IL 60615:geo:-87.5870129,41.80456
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240807T110000
DTEND;TZID=UTC:20240807T140000
DTSTAMP:20241129T064212
CREATED:20240606T193933Z
LAST-MODIFIED:20240806T221133Z
UID:10001982-1723028400-1723039200@www.hydeparkart.org
SUMMARY:Materiality & Technique: How do materials shape the process?
DESCRIPTION:Notes from The Woodshed Workshop: Materiality & Technique: How do materials shape the process? \nDiscover the vibrant world of batik in our workshop! Learn the traditional art of wax-resist dyeing on fabric\, as you create stunning patterns and designs. Explore the rich history and techniques of batik and how Robert Earl Paige uses this technique to create artwork. \nThis free all ages art making workshop is led by our Community Engagement Fellow\, Keny De La Peña.  Exhibiting artist Robert Paige will frequently be present to have conversations with participants and answer questions about his work\, art practice\, and life as a designer/educator/fabric man.  \nRegister for workshop here \nThis workshop series is in conjunction with our exhibition\, The United Colors of Robert Earl Paige\, the largest exhibition of Robert Paige’s work to date\, which surveys the iconic textile designs and painted fabric of one of the most generative artists/designers from the South Side of Chicago. The exhibition\, corresponding public programs and upcoming catalog is part of Art Design Chicago\, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities.  \nRobert Paige approaches art and craft as a joyful choreography between practical invention and material research. The fluid lines\, intense colors\, repeating circles and simple balance found in modernist paintings by Wassily Kandinsky\, Sonia Delaunay\, and Lazlo Maholy Nagy for example\, are equally as influential to Paige’s style as the tight basket weaving techniques and symbology of West African cultures\, the textured ripples on tree bark\, and the unfettered improvisations of the Chicago jazz powerhouse the Association for the Advancement of Creative Musicians (AACM).  Raised in the Woodlawn neighborhood\, where he still resides\, Paige makes artworks in response to the patterns\, colors\, and materials of everyday Black life. Paige playfully challenges the juxtaposition of art and craft in his hand-dyed textiles\, cardboard collages\, and ceramic tiles to encourage mental and physical liberation for all. 
URL:https://www.hydeparkart.org/event/materiality-technique-how-do-materials-shape-the-process/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Art Making Events
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GEO:41.80456;-87.5870129
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Hyde Park Art Center 5020 South Cornell Avenue Chicago IL 60615 Chicago IL 60615 US;X-APPLE-RADIUS=500;X-TITLE=5020 South Cornell Avenue\, Chicago\, IL 60615:geo:-87.5870129,41.80456
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240727T130000
DTEND;TZID=UTC:20240727T160000
DTSTAMP:20241129T064212
CREATED:20240425T202053Z
LAST-MODIFIED:20240802T191615Z
UID:10001965-1722085200-1722096000@www.hydeparkart.org
SUMMARY:Center Days
DESCRIPTION:Summer Center Day will present exhibition receptions for the summer exhibitions Pit Stop and Where a knot begins and ends\, intergenerational art making activities\, Creative Wing open studios\, performances\, and community collaborations. \nExhibition Receptions for Where a knot begins and ends\, and Pit Stop\nKanter Family Foundation Gallery & Gallery 5\n1-4PM \nAbout the Exhibitions \nWhere a knot begins and ends \nWhere a knot begins and ends considers the ways artists engage our complicated relationship to time\, history\, and archives. The phrase also conveys the challenges faced by the exhibiting artists who represent the 2024 cohort of New Edition\, a two-part class developed by the Art Center for artists to learn and make work in a medium that is new to their practice. The exhibition is curated by the Program Facilitator\, Jeff Robinson\, and features work by Alexandra Antoine\, Dawn Brennan\, Kittisak (Wa) Chontong\, Mary Farmilant\, Tanya Gill\, Malika Jackson\, Kara Cobb Johnson\, Caitlin Ryan\, Molly Roth Scranton\, and Teresita Carson Valdez. \nPit Stop \nThe annual teen exhibition highlights paintings\, drawings\, photography\, ceramics\, prints\, animation\, and multimedia work by emerging artists participating in Hyde Park Art Center’s Teen programs. Throughout the 30-week program\, teens cultivate their creative voices under the guidance of professional artists. The exhibition is a testament to these young artists’ evolution and dedication\, who have taken on the challenge of expressing perplexed thoughts\, feelings\, and emotions into individual works of art. Pit Stop is a rest area for reflection on the journey passed\, the present path\, and the road ahead. \nArt Making Activity: Create Your Own Dance Wand\nMueller Meeting Room\n1-4PM  \nLearn to upcycle fabric into ribbons and create a dance wand using everyday art materials inspired by our exhibition\, The United Colors of Robert Earl Paige. Afterwards\, use your new wand to twirl\, dance\, and join in the fun listening to the Windy City Ramblers performance! \nArt Making Activity: Create Your Own Paper Straw Puppet \nCreate your own paper straw puppet and design structure with Teaching Artist\, Terah Weddington\, inspired by her work on view in our Parapluie exhibition.  \nHPAC Teens Pit Stop Activation\nGallery 5\n1-4PM \nMake a pit stop with our HPAC teens and engage with their work on view in Pit Stop and make art inspired by the road.  \nPerformance from The Windy City Ramblers\nGallery 1\n3-3:30PM \nJoin us for a special performance from The Windy City Ramblers in conjunction with our exhibition\, The United Colors of Robert Earl Paige. The Windy City Ramblers is a Non-Profit  Brass Band Organization that is dedicated to the cultural development of the Youth of Chicago through the Brass Band and Second Line Culture. The Windy City Ramblers Brass Band builds from the musical legacy and festive spirit of the New Orleans brass band and second line culture while embracing the rich creative history of Chicago music culture.  Through their programs and performances\, they aim “to inspire\, cultivate\, maintain and employ excellent musicianship\, professionalism\, bandsmanship\, and cultural enlightenment.”   \nGuida Family Creative Wing Open Studios \n2-4PM \nVisit the artist studios in our Guida Family Creative Wing! Meet our new 2024 Jackman Goldwasser Radicle Resident Artists Yasmin Spiro\, Keith S. Wilson\, and Leila Tamari\, Visiting Artist Douglas Kearney\, and Creative Wing artists Malika Jackson\, Juarez Hawkins\, and zakkiyyah najeebah dumas o’neal. \nPhoto Credit: Beto de Freitas \n 
URL:https://www.hydeparkart.org/event/center-days-6/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Residency,Exhibition Events,Art Making Events,Free Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240724T110000
DTEND;TZID=UTC:20240724T140000
DTSTAMP:20241129T064212
CREATED:20240606T193550Z
LAST-MODIFIED:20240606T201736Z
UID:10001981-1721818800-1721829600@www.hydeparkart.org
SUMMARY:A Living Archive: How to Archive & Preserve Your Work Now
DESCRIPTION:Notes from The Woodshed Workshop: A Living Archive: How to Archive & Preserve Your Work Now \nLearn to create a portfolio to archive your work. Personalize your portfolio by creating collages that showcase your artistic journey and personal style.  \nThis free all ages art making workshop is led by our Community Engagement Fellow\, Keny De La Peña.  Exhibiting artist Robert Paige will frequently be present to have conversations with participants and answer questions about his work\, art practice\, and life as a designer/educator/fabric man.  \nRegister for workshop here \nThis workshop series is in conjunction with our exhibition\, The United Colors of Robert Earl Paige\, the largest exhibition of Robert Paige’s work to date\, which surveys the iconic textile designs and painted fabric of one of the most generative artists/designers from the South Side of Chicago. The exhibition\, corresponding public programs and upcoming catalog is part of Art Design Chicago\, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities.  \nRobert Paige approaches art and craft as a joyful choreography between practical invention and material research. The fluid lines\, intense colors\, repeating circles and simple balance found in modernist paintings by Wassily Kandinsky\, Sonia Delaunay\, and Lazlo Maholy Nagy for example\, are equally as influential to Paige’s style as the tight basket weaving techniques and symbology of West African cultures\, the textured ripples on tree bark\, and the unfettered improvisations of the Chicago jazz powerhouse the Association for the Advancement of Creative Musicians (AACM).  Raised in the Woodlawn neighborhood\, where he still resides\, Paige makes artworks in response to the patterns\, colors\, and materials of everyday Black life. Paige playfully challenges the juxtaposition of art and craft in his hand-dyed textiles\, cardboard collages\, and ceramic tiles to encourage mental and physical liberation for all. 
URL:https://www.hydeparkart.org/event/a-living-archive-how-to-archive-preserve-your-work-now/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Art Making Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240721T110000
DTEND;TZID=UTC:20240721T130000
DTSTAMP:20241129T064212
CREATED:20240716T150534Z
LAST-MODIFIED:20240716T150534Z
UID:10001992-1721559600-1721566800@www.hydeparkart.org
SUMMARY:Bon Odori Dance Workshop
DESCRIPTION:Bon Odori is a summer festival for people to come together to honor their ancestors\, express their joy\, respect\, and feeling of community; to create a connection with community. One does not have to be a dancer\, the dances are simple and fun! Join the in person workshops and learn with Yoshinojo Fujima of Shubukai! \nRSVP for the workshops here. \nMake sure to wear comfortable clothing\, wear clean socks (we might be dancing in your socks). Make sure to bring some water. \nShubukai is honored to collaborate with Kimiei Fujima Sensei from Shizuoka\, Japan and Ageha Bijo Sensei from the Nihon Bon Odori Association for the 2024 Bon Odori/ Bon Fest Chicago will be on Saturday August 17\, open from 7PM\, Dancing from 8:30pm at the NEW location: NEW CITY Shopping Mall (1457 N. Halsted St.\, Chicago\, IL 60642). \nAn Obon Matsuri / Bon Festival is traditionally held in the peak heat of summer when space between the natural and the supernatural world is thinnest. This is a time when individuals come together to remember ancestors and those lost as a community. As we continue to process the tremendous loss from the COVID-19 pandemic\, we welcome our community to come together through the arts. Traditionally\, Bon Odori dancing is performed by those in attendance to welcome spirits\, though each community and region has their own style of dance and music.
URL:https://www.hydeparkart.org/event/bon-odori-dance-workshop/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,Free Events
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GEO:41.80456;-87.5870129
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240720T103000
DTEND;TZID=UTC:20240720T123000
DTSTAMP:20241129T064212
CREATED:20240710T194643Z
LAST-MODIFIED:20240716T150419Z
UID:10001989-1721471400-1721478600@www.hydeparkart.org
SUMMARY:Bon Odori Dance Workshops
DESCRIPTION:Bon Odori is a summer festival for people to come together to honor their ancestors\, express their joy\, respect\, and feeling of community; to create a connection with community. One does not have to be a dancer\, the dances are simple and fun! Join the in person workshops and learn with Yoshinojo Fujima of Shubukai! \nRSVP for the workshops here. \nMake sure to wear comfortable clothing\, wear clean socks (we might be dancing in your socks). Make sure to bring some water. \nShubukai is honored to collaborate with Kimiei Fujima Sensei from Shizuoka\, Japan and Ageha Bijo Sensei from the Nihon Bon Odori Association for the 2024 Bon Odori/ Bon Fest Chicago will be on Saturday August 17\, open from 7PM\, Dancing from 8:30pm at the NEW location: NEW CITY Shopping Mall (1457 N. Halsted St.\, Chicago\, IL 60642). \nAn Obon Matsuri / Bon Festival is traditionally held in the peak heat of summer when space between the natural and the supernatural world is thinnest. This is a time when individuals come together to remember ancestors and those lost as a community. As we continue to process the tremendous loss from the COVID-19 pandemic\, we welcome our community to come together through the arts. Traditionally\, Bon Odori dancing is performed by those in attendance to welcome spirits\, though each community and region has their own style of dance and music.
URL:https://www.hydeparkart.org/event/bon-odori-dance-workshops/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,Free Events
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240718T170000
DTEND;TZID=UTC:20240718T193000
DTSTAMP:20241129T064212
CREATED:20240702T163314Z
LAST-MODIFIED:20240702T163357Z
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SUMMARY:Pit Stop: Exhibition tour and Panel discussion
DESCRIPTION:Join the exhibition tour and a panel discussion with the artists!
URL:https://www.hydeparkart.org/event/pit-stop-exhibition-tour-and-panel-discussion/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,Teens
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240711T180000
DTEND;TZID=UTC:20240711T200000
DTSTAMP:20241129T064212
CREATED:20240703T192217Z
LAST-MODIFIED:20240703T192217Z
UID:10001986-1720720800-1720728000@www.hydeparkart.org
SUMMARY:A Landmark of Work: African Americans in Decorative Arts
DESCRIPTION:Join us for a discussion in conjunction with our exhibition\, The United Colors of Robert Earl Paige. How are artists currently using traditional or historical methods of production in contemporary design? Artists and art historians discuss the pivotal contributions of African Americans to the canon of decorative arts like textile design\, jewelry and metalworking\, and woodworking. Panelists include artists\, Robert Paige and Daniel Overbey\, studio manager and designer for Norman Teague Design Studios\, and Art Conservator and Researcher\, Lamar Gayles. The conversation will be moderated by writer\, educator\, and Radicle Curatorial Resident\, Dr. Rikki Byrd. \nRegister for the event here.  \nAbout the Moderator:  \nDr. Rikki Byrd is a writer\, educator\, and curator who works across the academy\, arts\, and fashion industries. She has participated in curatorial projects with the South Side Community Art Center\, Block Museum of Art\, SkyART\, and most recently curated the fashion presentations in the traveling exhibition The Culture: Hip Hop & Contemporary Art in the 21st Century\, co-organized by the Baltimore Museum of Art and Saint Louis Art Museum\, and Lawrence Agyei: DRILL at Blanc Gallery and Expo Chicago. Her research focuses on Black aesthetic practices including fashion\, performance\, and contemporary art\, and she has lectured at the School of the Art Institute of Chicago and Washington University in St. Louis. She is the founder of the Black Fashion Archive and co-founder of the Fashion and Race Syllabus. Her writing appears across exhibition catalogs\, academic journals\, books\, and arts and fashion media such as Hyperallergic\, Cultured\, and Teen Vogue. Rikki completed her PhD in the Department of Black Studies at Northwestern University. Her work has been supported by fellowships and residencies from the Modern Ancient Brown Foundation\, Robert Rauschenberg Foundation\, University of Chicago’s Arts+Public Life\, and the Presidential Fellowship at Northwestern University. \nAbout the Panelists:  \nRobert Earl Paige \nRobert Earl Paige (b.1937\, Chicago) is an interdisciplinary artist\, designer\, and educator actively making work that challenges the distinction between fine art and craft by combining elements from African aesthetic traditions\, modernist painting\, Bauhaus architecture\, and vernacular invention in his objects\, collages\, and fabrics. He earned a BFA from the School of the Art Institute of Chicago and began his career working for the architectural design firm Skidmore Owings and Merrill before transitioning to creating commercial objects and fashion. He has partnered with commercial enterprises such as the Italian fashion house Fiorio and Sears\, Roebuck and Co. department stores to produce scarves and interior decor respectively. His signature line the Dakkabar Collection was sold nationwide in over 100 stores and included several bedroom and home furnishing pieces inspired by West African imagery with a contemporary palette in the 1970s.  \nEarly in the Black Arts Movement\, Paige participated and believes strongly in its ideology of community participation in art and culture\, which continues to be of focus in his pedagogy today. He has taught art and design principles to youth through Gallery 37 and is a frequent lecturer with the nomadic Black Arts Movement School Modality. Paige has been an artist-in-residence for many organizations\, including the Cabrini Green neighborhood alliance\, DuSable Museum of African American History\, Schomburg Center for Research in Black Culture (New York)\, Ndebele Foundation (South Africa) and Hyde Park Art Center.  Works by Robert Paige have been exhibited at Salon94 Design and the Cooper Hewitt Smithsonian Design Museum in New York City\, and in Chicago at the SMART Museum of Art and the Chicago Cultural Center\, among others. \nDaniel Overbey \nDaniel Overbey is an artist and designer dedicated to enhancing everyday life through thoughtful creations. Specializing in visually sleek and functionally fluid furniture and housewares\, Daniel aims to facilitate a sense of comfort\, and seamlessness in daily life.\nThrough stylized artwork and elegant design\, his work aspires to spark a ripple effect of contentment\, and mindfulness\, enriching the lives of those who engage with his pieces. Daniel Overbey is also the manager and designer for Norman Teague Design Studios. \nLamar Gayles \nLaMar Gayles (a native son of the South Side of Chicago) is an archaeologist\, independent curator\, material culture scholar\, and technical art historian. He is currently enrolled in the PhD program in Preservation Studies at the University of Delaware. Gayles completed a MA in Museum and Exhibition Studies from University of Illinois at Chicago while holding two separate positions: Archive and Collections Manager at the South Side Community Art Center and Executive Director at the Union Street Gallery. Gayles earned a Cum Laude BA with a triple major (art history\, archaeology\, and ethnic studies) from St. Olaf College. He has researched and curated exhibitions on Black American material culture and its historical progressions from the seventeenth century to the twenty-first century. Gayles’s research methodology combines archaeometry\, arts-based research\, conservation science\, art historical analysis\, ethnography\, historical reproduction\, and technical studies to explore material and visual culture. \nImage above by Beto DeFrietas
URL:https://www.hydeparkart.org/event/a-landmark-of-work-african-americans-in-decorative-arts-2/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Exhibition Events,Free Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240710T110000
DTEND;TZID=UTC:20240710T140000
DTSTAMP:20241129T064212
CREATED:20240606T193037Z
LAST-MODIFIED:20240606T201829Z
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SUMMARY:Kool-Aid colors: Color Theory in Black Art
DESCRIPTION:  \nNotes from The Woodshed Workshop: Kool-Aid colors: Color Theory in Black Art \nExplore the rich hues of Kool-Aid as a medium to create vibrant watercolor paintings while learning about the significance of color in Black art and culture. Perfect for all ages\, this activity combines creativity with cultural education for a truly unique artistic experience. \nThis free all ages art making workshop is led by our Community Engagement Fellow\, Keny De La Peña.  Exhibiting artist Robert Paige will frequently be present to have conversations with participants and answer questions about his work\, art practice\, and life as a designer/educator/fabric man.  \nRegister for workshop here \nThis workshop series is in conjunction with our exhibition\, The United Colors of Robert Earl Paige\, the largest exhibition of Robert Paige’s work to date\, which surveys the iconic textile designs and painted fabric of one of the most generative artists/designers from the South Side of Chicago. The exhibition\, corresponding public programs and upcoming catalog is part of Art Design Chicago\, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities.  \nRobert Paige approaches art and craft as a joyful choreography between practical invention and material research. The fluid lines\, intense colors\, repeating circles and simple balance found in modernist paintings by Wassily Kandinsky\, Sonia Delaunay\, and Lazlo Maholy Nagy for example\, are equally as influential to Paige’s style as the tight basket weaving techniques and symbology of West African cultures\, the textured ripples on tree bark\, and the unfettered improvisations of the Chicago jazz powerhouse the Association for the Advancement of Creative Musicians (AACM).  Raised in the Woodlawn neighborhood\, where he still resides\, Paige makes artworks in response to the patterns\, colors\, and materials of everyday Black life. Paige playfully challenges the juxtaposition of art and craft in his hand-dyed textiles\, cardboard collages\, and ceramic tiles to encourage mental and physical liberation for all.
URL:https://www.hydeparkart.org/event/kool-aid-colors-color-theory-in-black-art/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Art Making Events
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240627T180000
DTEND;TZID=UTC:20240627T200000
DTSTAMP:20241129T064212
CREATED:20240425T201228Z
LAST-MODIFIED:20240620T193004Z
UID:10001964-1719511200-1719518400@www.hydeparkart.org
SUMMARY:Creative Wing Open Studio Night
DESCRIPTION:Meet our Radicle Residents and Creative Wing artists in their studios during our Summer edition of Creative Wing Open Studio Night! Connect with artists\, collectors\, and curators in our community over light bites and refreshments. This event is free and open to all. Radicle Studio Residents are rooted for a year at the Art Center through high-quality\, free studio space where they make work\, research new projects\, have access to the Art Center’s broad International network of artists and resources\, and connect with a dynamic public.  \nMeet the Residents: \nLeila Tamari \nLeila Tamari’s artistic practice currently explores belonging through relationship to place\, identity\, and money. Her work derives meaning through the relationships she develops\, which are created through collaboration and facilitation. She aspires to cultivate a culture of care; so love and play are essential ingredients in her creative endeavors. Some of her past collaborations include exchange/value\, The Sistah Friends Project\, Hyperopia: 20/30 Vision\, and Contracts with Ourselves. \nLeila carries a lineage of people who were the displaced\, as well as the displacers. Her heritage spans African and Jewish diasporas\, and as the daughter of immigrants\, one of her lifelong quests is coming into deeper understanding and relationship to “home.” She is interested in creating pathways to reparations through place-based re-investment\, and she is curious about how art will lead us there. \nLeila founded This Place Works (TPW) – her creative home and consultancy – to live into the many expressions of her art practice. At TPW\, she takes on various roles from artist coach\, cultural strategist/advisor\, organizational healer/facilitator\, and more. Her professional experience spans organizing\, public art production\, and wealth redistribution. \nYasmin Spiro \nYasmin Spiro was born and grew up in Kingston\, Jamaica and currently lives and works in Chicago. Spiro’s work is multi-disciplinary\, primarily based in sculpture and immersive installations\, with video\, drawing and performance – exploring issues of cultural identity and socio-economic issues within the framework of urban development and social politics – often through the lens of Caribbean culture.  \nSpiro’s work explores concepts related to architecture and urbanism\, socio-economics\, futuristic cities\, and craft and culture. Research is often layered with personal narratives connected to both the landscape and culture of Jamaica. Spiro’s body of work explores materiality\, and is often textile based\, and also utilizes wood\, rope\, and cast materials – plaster\, ceramic\, and cement. Creating architectural elements that reference futurism and femininity in our built environments\, her studio practice pulls in various aspects of personal and cultural history to build stories within the work – layered with conceptual research\, and material experimentation.  \nSpiro’s work has been shown at galleries internationally\, recently at the Arts Club of Chicago. Her work has been covered in Art News\, Interior Design\, NewCity\, Washington Times\, Miami Herald and others. She attended Pratt Institute and has held residencies at the Dora Maar Foundation\, The Kohler Arts and Industry residency\, Vermont Studio Center\, and the Chicago Artist Coalition. \nKeith S. Wilson \nKeith S. Wilson is a game designer\, poet\, and interdisciplinary artist. He is a recipient of an NEA Fellowship\, an Elizabeth George Foundation Grant\, and an Illinois Arts Council Agency Award\, and has received both a Kenyon Review Fellowship and a Stegner Fellowship. Additionally\, he has received fellowships or grants from Bread Loaf\, Tin House\, the MacDowell Colony\, Vermont Studio Center\, UCross\, the Millay Colony\, and James Merrill House\, among others. His book\, Fieldnotes on Ordinary Love (Copper Canyon)\, was recognized by the New York Times as a best new book of poetry. Keith’s work in new media includes “Once Upon a Tale\,” a storytelling card game designed for Lurie Children’s Hospital of Chicago\, and alternate reality games (ARGs) for the University of Chicago. He has worked with or taught new media with Kenyon College\, the Field Museum\, the Adler Planetarium\, and the University of Chicago. \nNatasha Moustache \nNatasha Moustache is a photo-based installation artist whose work explores identity\, shared histories\, and familial ties within colonized spaces. Moustache’s work reflects their experience as a first-generation\, Seychellois-American\, examining African Diasporic ties across oceans and manmade borders. They regularly engage strangers as collaborator-participants\, utilizing portraiture\, and the reimagining of domestic spaces through installation. Moustache is interested in bringing the human community into a conversation with itself that transcends difference and emphasizes commonality.  \nMoustache completed their MFA (2021) at Columbia College Chicago and their BFA (2004) at Simmons College in Boston\, Ma. Their work has most recently been shown at the Vermont Center for Photography\, the Lubeznik Center\, the Hyde Park Arts Center\, the Houston Center for Photography\, and the International Center for Photography. They have had residencies at the Center for Photography at Woodstock and Latitude Chicago. Moustache’s editorial work has been published internationally in academic literature and periodicals. They were a 2021 MOCP Snider Prize Honorable mention and a 2020 Hopper Prize finalist. \nLetaru Dralega \nLetaru Dralega is a Ugandan Jamaican British artist and researcher based in Kampala. Her mixed media process-centered practice is concerned with themes of memory and belonging. She experiments across collage\, painting\, installation\, and sound to create meditative works which probe the material/spiritual dichotomy and ponder postcolonial condition. \nA social scientist by training she studied a Bachelor of Social Sciences (2014) and a Masters of International Development with African studies (2019) at Sciences Po Paris\, France. There she examined global issues\, through sociological\, political and anthropological lenses\, a practice which continues in her research-focused approach to art-making. \nLetaru is an alumna of 32 degrees East Ugandan Arts Trust Kampala (2017) and Asiko Art School Praia (2022). She is a recipient of a Prince Claus seed award supported by British Council and UNDP Uganda’s creative facility grant (2022). She was selected as a Njabala Foundation artist researcher (2023) for the research project Tracing a Decade Women Artists of the 1960’s in Africa and Njabala Foundation Annual exhibition 2024. \nIn 2021 she co-founded Afropocene Studio Lab\, an arts space in Kampala\, which she currently directs along with The Capsule\, an experimental exhibition space launched in 2023. \nJuarez Hawkins \nJuarez Hawkins is an artist\, educator and curator. She received a B.A. from Northwestern University\, and her M.A. in Interdisciplinary Arts from Columbia College Chicago. Juarez has exhibited widely\, hosting solo exhibitions at Concordia University\, the 33 Collective Gallery\, and the South Side Community Art Center. As Co-Curator of Gallery Programs at Chicago State University\, she has organized exhibitions from the permanent collection\, as well as student work and established artists\, including Richard Hunt and Marva Jolly. Recent curatorial projects include Black Clay and Shirley Hudson: VisionQuest at Chicago State; The Love Affair Continues at the DuSable Museum; Intersectional Touch and Bill Walker: Urban Griot at the Hyde Park Art Center. Juarez is a member of Sapphire and Crystals\, a collective of African American female artists. \nCandace Hunter \nCandace Hunter (she/her) is a Chicago based artist. She creates collages\, paintings\, installations\, and performance art. Plainly\, she tells stories. Through the use of appropriated materials from magazines\, vintage maps\, cloth\, and various re-used materials\, she offers this new landscape of materials back to the viewer with a glimpse of history and admiration of the beautiful.  \nDuring the beginning of the Coronavirus pandemic\, she began to do two things\, offer free art classes on Instagram and to create what she now calls her “Brown Limbed Girls” – a growing series of whimsical brown girls enjoying their lives. She is extremely happy to share the girls with a new audiences in New Orleans and Northern California. \nCandace has most recently received 3Arts Next Level/Spare Room Award\, the Tim and Helen Meier Family Foundation Award\, the 2016 3 Arts Award\, and was honored by the Diasporal Rhythms Collective. In 2020\, she served as a juror for the Kentucky Foundation for Women and was asked to speak at the Midwest Women in Ecology Conference.
URL:https://www.hydeparkart.org/event/creative-wing-open-studio-night-2/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Residency,Special Events,Free Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240626T110000
DTEND;TZID=UTC:20240626T140000
DTSTAMP:20241129T064212
CREATED:20240606T192632Z
LAST-MODIFIED:20240606T201306Z
UID:10001979-1719399600-1719410400@www.hydeparkart.org
SUMMARY:The History & Legacy of AfriCOBRA
DESCRIPTION:Notes from The Woodshed Workshop: The History & Legacy of AfriCOBRA \nUsing construction paper\, craft a vibrant self-portrait featuring bold patterns and bright colors. Celebrate your identity and cultural heritage while drawing inspiration from the powerful artistic elements of the AfriCOBRA movement. \nThis free all ages art making workshop is led by our Community Engagement Fellow\, Keny De La Peña.  Exhibiting artist Robert Paige will frequently be present to have conversations with participants and answer questions about his work\, art practice\, and life as a designer/educator/fabric man.  \nRegister for the workshop here \nThis workshop series is in conjunction with our exhibition\, The United Colors of Robert Earl Paige\, the largest exhibition of Robert Paige’s work to date\, which surveys the iconic textile designs and painted fabric of one of the most generative artists/designers from the South Side of Chicago. The exhibition\, corresponding public programs and upcoming catalog is part of Art Design Chicago\, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities.  \nRobert Paige approaches art and craft as a joyful choreography between practical invention and material research. The fluid lines\, intense colors\, repeating circles and simple balance found in modernist paintings by Wassily Kandinsky\, Sonia Delaunay\, and Lazlo Maholy Nagy for example\, are equally as influential to Paige’s style as the tight basket weaving techniques and symbology of West African cultures\, the textured ripples on tree bark\, and the unfettered improvisations of the Chicago jazz powerhouse the Association for the Advancement of Creative Musicians (AACM).  Raised in the Woodlawn neighborhood\, where he still resides\, Paige makes artworks in response to the patterns\, colors\, and materials of everyday Black life. Paige playfully challenges the juxtaposition of art and craft in his hand-dyed textiles\, cardboard collages\, and ceramic tiles to encourage mental and physical liberation for all. 
URL:https://www.hydeparkart.org/event/notes-from-the-woodshed-workshop-conversation-series-2/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Art Making Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240620T180000
DTEND;TZID=UTC:20240620T200000
DTSTAMP:20241129T064212
CREATED:20240423T212558Z
LAST-MODIFIED:20240528T174835Z
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SUMMARY:Dear Black Artist Film Screening + Discussion
DESCRIPTION:Join us for a screening of Dear Black Artist in conjunction with our exhibition\, The United Colors of Robert Earl Paige. Dear Black Artist is a documentary project that began right before the pandemic and highlights 77 Black artists as an ode to the 77 communities in Chicago. In the documentary\, the artists discuss their creative journeys\, barriers to access\, and their greatest hopes for Black artists in the future to give the viewer a snapshot of multigenerational perspectives and ideas around what success and access for Black artists looks like in Chicago. There will be a post film discussion with featured artists\, Shani Crowe and Shyvette Williams moderated by the film’s creator\, Rachel Gadson. \nAbout The Filmmaker: Rachel Gadson \nRachel Gadson was born and raised on the southside of Chicago. She has a strong attachment to the creative arts community and is a proud Chicagoan. She attended Florida A&M University where she attained her Bachelors in the field of Graphic Design (magna cum laude); and also studied design\, photography\, and animation at Studio Arts Center International\, in Florence\, Italy. \nA combination of love for the creative arts industry\, and a keen desire to empower artists (specifically artists of color) shapes the trajectory of Rachel’s career and it’s the same fire that keeps her propelling toward her goals. With a portfolio that spans across varying industries with clients like Jewel Osco\, PNC Bank\, Hilton\, Samsung\, and GitHub\, Gadson now dedicates her time creating equitable access for more Black artists. \nThrough her work\, she seeks to expand the narrative of how we begin to create more inclusive environments where the talents and works of Black artists are more visible\, and the appreciation and love of our art is highly regarded. \nAbout Shani Crowe:  \nShani Crowe is an interdisciplinary artist who received her BFA in film production from Howard University’s John H. Johnson School of Communications in 2011. Her work centers on cultural coiffure\, adornment and beauty ritual\, as they relate to the diasporic African\, and how these practices function as tools to foster connectivity. She  is  most  known  for  creating  intricate corn-rowed  hairstyles\,  then  capturing  them  as  large  photographic  portraits.Shani also uses hair and hair related material to create structures and installations. \nShani is part of the ensemble selected to represent the US in the 2018 Venice Architecture Biennale\, her  work  and performances  have  been  featured  at  the  Broad  in  Los  Angeles\,  on  Saturday  Night  Live  in  collaboration  with  Solange  Knowles\,  the  Museum  of  Contemporary  African  and  Diasporan  Art  (MoCADA)\,  in  Brooklyn\,  NY\, the  Urban  Institute  of  Contemporary  Art\,  in  Grand  Rapids\,  MI\,  Columbia  University\,  and  Soho  House Chicago. She lives and works on Chicago’s south side. \nAbout Shyvette Williams:  \nShyvette Williams’s early talents blossomed in Chicago\, where Shyvette  was nurtured through the Chicago Public Schools System. She was born  in New Orleans\, Louisiana. As a young adult\, she received scholarships  to the School of the Art Institute of Chicago to study fashion illustration. Her diverse experiences\, including runway modeling\, theater costume  design\, book illustration\, painting\, and extensive international travel\, contribute to the complexity of her art. Runway modeling offered an  opportunity to experience the continental art scene firsthand. Some of  her many exhibitions in Chicago include Nicole Gallery\, the South Side Community Art Center\, A.R.C. Gallery\, Woman Made Gallery 2012\, The University of Illinois\, Prairie State College\, Little Black Pearl\, and Urban  Traditions. She has also exhibited at Gordon Robichaux Gallery\, New  York\, NY\, 2019; Aurora University\, Aurora\, IL; Noyes Cultural Art Center\,  Evanston\, IL.; and The Bridgeport Art Center\, 2022.  \nHer publications include Literati Internazionale\, 1991; A Sound Investment\, Sonia  Sanchez\, 1993; The Chicago Art Scene\, 2000; African Art: The Diaspora  and Beyond\, Daniel T. Parker\, 2004; WGCI- AM/FM calendar\, Diasporal  Rhythms A 10-year love affair with collecting catalog 2013\, Hyde Park  Art Center catalog Not Just Another Pretty Face 2010-13 -16-19. The  Sapphire & Crystals FORWARD exhibition catalog 2022. Also\, Sapphire  and Crystals Freedoms Muse catalogue 2023. Shyvette was one of the  featured artists in the 2018 award-winning documentary The Color of  Art by filmmaker David Weathersby.   \n 
URL:https://www.hydeparkart.org/event/dear-black-artist-film-screening-discussion/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Exhibition Events,Special Events,Film Screening
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240612T110000
DTEND;TZID=UTC:20240612T140000
DTSTAMP:20241129T064212
CREATED:20240606T191926Z
LAST-MODIFIED:20240606T201922Z
UID:10001978-1718190000-1718200800@www.hydeparkart.org
SUMMARY:The History and Meaning of Adinkra Symbols and Cultural Aesthetics historically and in Contemporary Art
DESCRIPTION:Notes from The Woodshed Workshop: The History and Meaning of Adinkra Symbols and Cultural Aesthetics historically and in Contemporary Art \nJoin us for a creative Adinkra symbol activity! Use stencils and rubbings to design your own vibrant and meaningful artwork\, exploring the rich cultural heritage of West African symbols. Perfect for all ages! \nThis free all ages art making workshop is led by our Community Engagement Fellow\, Keny De La Peña.  Exhibiting artist Robert Paige will frequently be present to have conversations with participants and answer questions about his work\, art practice\, and life as a designer/educator/fabric man.  \nRegister for workshop here \nThis workshop series is in conjunction with our exhibition\, The United Colors of Robert Earl Paige\, the largest exhibition of Robert Paige’s work to date\, which surveys the iconic textile designs and painted fabric of one of the most generative artists/designers from the South Side of Chicago. The exhibition\, corresponding public programs and upcoming catalog is part of Art Design Chicago\, a citywide collaboration initiated by the Terra Foundation for American Art that highlights the city’s artistic heritage and creative communities.  \nRobert Paige approaches art and craft as a joyful choreography between practical invention and material research. The fluid lines\, intense colors\, repeating circles and simple balance found in modernist paintings by Wassily Kandinsky\, Sonia Delaunay\, and Lazlo Maholy Nagy for example\, are equally as influential to Paige’s style as the tight basket weaving techniques and symbology of West African cultures\, the textured ripples on tree bark\, and the unfettered improvisations of the Chicago jazz powerhouse the Association for the Advancement of Creative Musicians (AACM).  Raised in the Woodlawn neighborhood\, where he still resides\, Paige makes artworks in response to the patterns\, colors\, and materials of everyday Black life. Paige playfully challenges the juxtaposition of art and craft in his hand-dyed textiles\, cardboard collages\, and ceramic tiles to encourage mental and physical liberation for all. 
URL:https://www.hydeparkart.org/event/notes-from-the-woodshed-workshop-conversation-series/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Art Making Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240606T180000
DTEND;TZID=UTC:20240606T200000
DTSTAMP:20241129T064212
CREATED:20240122T233852Z
LAST-MODIFIED:20240213T231319Z
UID:10001942-1717696800-1717704000@www.hydeparkart.org
SUMMARY:Contemporary Collage Conversations
DESCRIPTION:Fragmenting\, juxtaposing\, and assembling media\, collage touches a variety of artistic mediums and genres. Contemporary collage artists\, Aimée Beaubien\, Cydney Lewis\, Victoria Martinez\, Mary Lou Zelazny\, and moderator Dana Boutin discuss the meaning and contemporary relevance of collage as an art medium. Panelists will also be invited to respond to collagist extraordinaire\, Alice Shaddle’s work\, and share insights into their own process of collecting materials and techniques. Alice Shaddle: Fuller Circle catalogs will also be available for purchase.  \n 
URL:https://www.hydeparkart.org/event/contemporary-collage-conversations/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Exhibition Events,Free Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240605T130000
DTEND;TZID=UTC:20240605T150000
DTSTAMP:20241129T064212
CREATED:20240522T210718Z
LAST-MODIFIED:20240522T210718Z
UID:10001975-1717592400-1717599600@www.hydeparkart.org
SUMMARY:Let’s Talk About Art: with Judith Russi Kirshner and Kathryn Kucera
DESCRIPTION:Please join prominent curator Judith Russi Kirshner and Alice Shaddle’s dear friend\, artist Kathryn Kucera for a guided tour of the exhibition Alice Shaddle: Fuller Circles\, followed by a discussion of the work.   \nAlice Shaddle: Fuller Circles explores Shaddle’s life and work in the context of Chicago’s kaleidoscopic art world from the 1960s into the 2000s\, highlighting her association with Artemisia Gallery for many years. It includes an early\, daring paper sculpture\, remnants from her elaborate floor installations\, boxes with haunting visages\, and elaborate cut paper collages.  \nAlice Shaddle: Fuller Circles\, on view at the Hyde Park Art Center through June 16. The exhibition catalog will be available at this free public program. \nJudith Russi Kirshner \nCritic\, curator\, and educator\, Judith Russi Kirshner retired as Deputy Director of the Art Institute and Womens Board Endowed Chair of Education in 2016. Previously Kirshner served as Dean of the College of Architecture and the Arts at the University of Illinois at Chicago from 1997 to 2013. She was consulting Editor for Into the City: History of Chicago Art and Design eds. M. Taft and R. Cozzolino (University of Chicago Press\, 2018) and authored “Cruelly Bound: Drawing \nand the Archive of Christina Ramberg’s Practice” in The Making of Husbands: Christina Ramberg in Dialogue\, (KW\, Institute for Contemporary Art\, Berlin\, 2019-2020)\, and “Christina Ramberg’s Diary\, 1969-1980\,” for the Art Institute of Chicago’s Christina Ramberg exhibition catalogue\, forthcoming 2024. \nKirshner held the position of Curator at the Museum of Contemporary Art in Chicago from l976 to l980\, and at The Terra Museum of American Art from l985 to l987. Her recent publications include “Carla Lonzi: Encountering American Art\,” in Feminism and Art in Postwar Italy: The Legacy of Carla Lonzi (2021). \nKathryn Kucera \nWhile my interest in making art began in early childhood\, it ebbed during the years when my four young children needed me. During those years I planned and shared experiences of art with my children in museums and through creative projects while my own need to make art mounted to a keen pitch by the time they became more independent. \nIt was then when I enrolled in the Masters Program at the School of the Art Institute of Chicago and embarked on what was a spiritual experience for me. . . After graduation I became an active member of Artemisia\, a buzzworthy women’s coop gallery in Chicago. It was during the 1970s when the spirit of feminism prevailed and influenced my work. \nAt that time I worked obsessively with mixed media on a fairly large scale\, gradually turning to collage\, a medium that corresponded ideally with my life. At that time I was balancing family goings-on along with teaching and traveling. The flexibility and immediacy of working with paper collage in far away places inspired me to capture unfamiliar transitory experiences and fleeting impressions\, ideas. \nAnd since that time my life has become more settled and sedentary. I have turned to the computer as a means of creativity\, and I process my creative ideas and impulses digitally. Doing art digitally excites me and engages me endlessly as I keep discovering remarkable processing capabilities to realize\, even discover ideas in experimental ways.
URL:https://www.hydeparkart.org/event/lets-talk-about-art-with-judith-russi-kirshner-and-kathryn-kucera/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,65+,Artful Aging,Free Events
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240602T120000
DTEND;TZID=UTC:20240602T160000
DTSTAMP:20241129T064212
CREATED:20240516T162540Z
LAST-MODIFIED:20240609T003308Z
UID:10001974-1717329600-1717344000@www.hydeparkart.org
SUMMARY:The Art of Pride 2024
DESCRIPTION:Join us for our third annual Art of Pride event with performances\, vendors\, and art making to celebrate pride with local LGBTQIA+ artists! \nRSVP For The Art of Pride \nArt Making Activity: Create Your Own Zine + Screenprint with Marimacha Monarca Press \nAbout Marimacha Monarca Press:  \nMarimacha Monarca Press is a queer & trans people of color collective of artists and educators based on the southside of Chicago since autumn 2017. These marimachas monarcas’ first zine was “Dear Baby Queer” – love letters to our baby queerselves. Since then\, they have published a series of baby zines called “Queers Can Eat” – supporting local food vendors\, 3 editions of sexy calendars – that explores bodies and holidays through time travel in queer history\, and organized a print portfolio exchange with Instituto Grafíco Chicago titled “Conjuring Crossroads: Responding to This Bridge Called My Back.” They have collaborated with chicago public schools\, chicago park district\, neighbors for environmental justice\, UIC heritage garden\, xicx zine collective\, brown & proud press and various other organizations and artist collectives.  \nDJ Sets from DJ All The Way Kay and Alaska Jules \nAbout Alaska Jules:  \nAlaska Jules is musician\, and producer currently based in Chicago\, IL. Growing up she learned drums and piano which she has now integrated into her live shows to create a unique experience for the audience. She is also the founder of Crystal Spaces\, a queer collective dedicated to creating a safe space for queer people and queer artists alike. She has played with the likes of Cofresi\, Able Grey\, Fraxiom\, Mina Mills\, PPLSPPL\, CocoJoey\, and many more.  \nDJ All The Way Kay:  \nDJ All The Way Kay\, or Kay for short\, possesses unmistakable style and skill influenced by the cultural aesthetic of her hometown\, Chicago. While her first loves are Hip-Hop and House Music\, she is an open format DJ with an extensive collection that represents the best of all genres. She has been one of the reigning female DJs of the Chicago Queer scene for more than a decade and currently holds residency at numerous Chicago bars and nightclubs\, including but not limited to: Beauty Bar\, Berlin Nightclub\, Emporium Arcade Bar and Untitled Supperclub. \nKay is also a resident DJ at 91.1 Vocalo Radio in Chicago as well as the internet based E3Radio (E3Radio.com). Her sets can be heard every second Friday as a part of Vocalo’s Friday Night DJ Series and at various Vocalo sponsored events around the city. Kay’s mixes have also been broadcasted on WCRX Columbia College Chicago’s Underground Radio on their programs “Masters In the Mix\,” and “The Scene” as well as WZRD of Northeastern Illinois. She has been featured in publications like Vice Magazine for “The Last Record” and IntoMore.com’s featured article “Where Did All The Lesbians Go? Reframing The Conversation About Dyke Bars And Nightlife.”  \nPerformances from: Barbiefoot & Suspended Culture Collective \nAbout Barbiefoot:\n \nBarbiefoot is a cohort of musicians and performers creating musical environments that evoke ambient soundscapes\, industrial/darkwave music\, and performative sound art. Composed of visual and sound artist Caleb Yono\, ambient tape improviser Mahnu\, and violinist and singer Johanna Brock. \nAbout Suspended Culture Collective: \nSuspended Culture is an emerging Black art collective based in Chicago\, IL. A Suspended Culture is a culture on pause\, a movement interrupted\, a dream deferred. As a collective of visionaries\, our work together inhabits the liminal space of a dream. Time is no longer necessary here; rather\, time collapses into an ever-expanding radical presence. In a Suspended Culture\, we play. We rehearse the future and we invite love to bind us to what liberates us. A Suspended Culture considers love a revolutionary practice through which it can conjure anything required\, and a Suspended Culture exists in an alternative reality rooted in love. A Suspended Culture embodies Afro-surreal interpretations of Black futures\, embraces the absurd\, and thinks with the body. A Suspended Culture uses pleasure as its map and sinks into the portal of “Yes\, and…”. A Suspended Culture is a moment of rest! \nSTI Testing Sexual Wellness Counseling Provided by Chicago House \nAbout Chicago House: \nChicago House is committed to preventing new HIV transmissions and ensuring that individuals who are faced with a diagnosis are linked to care. As part of the local and global Getting to Zero effort\, we provide sexual wellness counseling and essential health services to individuals vulnerable to HIV to eliminate the HIV epidemic by the year 2030. \nWe offer free rapid HIV\, syphilis\, and Hepatitis-C screenings and linkages to other sexually transmitted infections (STI) screenings. We meet individuals where they’re at\, removing financial\, social\, and geographical barriers to care. Through our mobile outreach and neighborhood screening sites\, our program provides same-day results for those seeking to update their status. No matter the outcome\, individuals are either connected to a case manager to navigate their HIV diagnosis or linked to a care coordinator focused on immediate linkage to HIV prevention services (PrEP). \nFeatured Vendors: \nTarot Readings from Rhonda Wheatley \nTable Massages from Kheiron Katsuleas \nAstrology Readings by Jeanette Gomes \nHand Carved Linocut Prints by Dom Williams \nPansy Leatherwork \nHandmade Ceramic Pieces & Photo Prints by Lyric Newbern  \nRed Letter Clay \nInga Books \nCafe Toni \nArtwork and Prints by Vee Simms \nBaobowjewelry by Cecile Ngo \nThe Reservoir Collective \nCrocheted Goods by Vivien Spieles \nLumps N’ Organs \n@
URL:https://www.hydeparkart.org/event/the-art-of-pride-2024/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Special Events,Art Making Events,Free Events
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BEGIN:VEVENT
DTSTART;TZID=UTC:20240504T130000
DTEND;TZID=UTC:20240504T143000
DTSTAMP:20241129T064212
CREATED:20240423T211654Z
LAST-MODIFIED:20240423T211654Z
UID:10001959-1714827600-1714833000@www.hydeparkart.org
SUMMARY:The People's Ring Shout
DESCRIPTION:In conjunction with our exhibition\, The United Colors of Robert Earl Paige\, Honey Pot Performance presents The People’s Ring Shout\, an experimental movement and sound workshop inspired by traditional ring shout rituals. As a core symbol in Honey Pot Performance’s practice\, they engage this early Black Americana form of movement\, song\, and collectivity to explore the power of embodied Black heritage and spirituality. HPP’s exploration of the ring shout derives from their original work Ladies Ring Shout\, an evening length performance and celebration of Black women and femme voices\, that explored themes such as representation\, love\, trauma\, quality of life\, spirituality\, healing\, and defining communities of care.  \nAbout Honey Pot Performance \nHoney Pot Performance is a creative collaborative chronicling Afro-feminist and Black diasporic subjectivities amidst the pressures of contemporary global life. \nHoney Pot Performance enlists modes of creative expressivity to examine the nuances of human relationships including the ways we negotiate identity\, belonging and difference in our lives and cultural memberships. Dismantling the vestiges of oppressive social relationships is part of the work. Through critical performance\, public humanities programming\, and deep community engagement\, we emphasize everyday ways of valuing the human. \nFollowing in the footsteps of cultural workers such as Zora Neale Hurston\, Beryl McBurnie\, Pearl Primus and Katherine Dunham\, Honey Pot Performance forefronts African diasporic performance traditions. We draw upon a central notion found in performance studies\, black feminist discourse and sociology: non-Western\, everyday popular and/or folk forms of cultural performance are valuable sites of knowledge production and cultural capital for subjectivities that often exist outside of mainstream communities.
URL:https://www.hydeparkart.org/event/the-peoples-ring-shout/
LOCATION:Hyde Park Art Center\, 5020 South Cornell Avenue\, Chicago\, IL 60615\, Chicago\, IL\, 60615\, US
CATEGORIES:Exhibition Events,Special Events,Free Events
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